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Karakterni ples smatra se podvrstom klasičnog baleta, a svoje korijene vuče iz narodnih plesova različitih svjetskih regija i zemalja. Te su zemlje – Španjolska, Italija, Mađarska, Rusija, Ukrajina i Poljska – ostavile snažan i vidljiv pečat u izvedbama klasičnog baleta. Karakterni ples Karakterni ples smatra se podvrstom klasičnog baleta, a svoje korijene vuče iz narodnih plesova različitih svjetskih regija i zemalja. Te su zemlje – Španjolska, Italija, Mađarska, Rusija, Ukrajina i Poljska – ostavile snažan i vidljiv pečat u izvedbama klasičnog baleta. Karakterni ples veoma je stilska i zabavna vrsta plesa, koja se obično izvodi kao dio klasičnog baleta, a u kojoj su očuvani karakter i jedinstvenost određene regije, zemlje ili kulture na kojima se temelji priča klasičnog baleta. Registriraj se Mogućnosti • Pohađajte grupne satove karakternog plesa Preporuke • Da biste se bolje snašli na satovima karakternog plesa, preporučujemo da prethodno upišete program klasičnog baleta. Prednosti Bolja fleksibilnost Pravilno držanje tijela Jačanje mišića Dobivanje na snazi Bolja izdržljivost Koordinacija Bolje samopouzdanje i samokontrola Bolja koncentracija i pamćenje Smanjenje psihičke napetosti i anksioznosti Vje ž be se sastoje od • 60 minuta • Pretežno koreografija karakternog plesa

Download terms and conditions TERMS AND CONDITIONS Last updated: 2020-09-20 1. Introduction Welcome to Baldovin Ballet Zagreb (“Company”, “we”, “our”, “us”)! These Terms of Service (“Terms”, “Terms of Service”) govern your use of our website located at www.baldovinballet.com (together or individually “Service”) operated by Baldovin Ballet Zagreb. Our Privacy Policy also governs your use of our Service and explains how we collect, safeguard and disclose information that results from your use of our web pages. Your agreement with us includes these Terms and our Privacy Policy (“Agreements”). You acknowledge that you have read and understood Agreements, and agree to be bound of them. If you do not agree with (or cannot comply with) Agreements, then you may not use the Service, but please let us know by emailing at info@baldovinballet.com so we can try to find a solution. These Terms apply to all visitors, users and others who wish to access or use Service. 2. 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Masterclass is one important part from a dancers education because it gives the opportunity to take classes and expand the knowledge by having the opportunity to work with experts in that specific area of dance. Masterclass can be also very motivational for and re energizing for the students and can give the chance to hear something new,new perspective,techniques, styles and methods of work. Masterclass Masterclass je važan dio plesačeva obrazovanja jer pruža mogućnost polaženja tečajeva i proširivanja znanja kroz rad sa stručnjacima u određenom području plesa. Masterclass može motivirati, obnoviti energiju polaznika i pružiti im priliku da čuju nešto novo, sagledaju stvari iz drugačijeg kuta, isprobaju nove tehnike, stilove i metode rada. Registriraj se Uskoro

Lucija Kukor Lucija Kukor, rođena u Zagrebu 15.06.1990. svoje plesno putovanje započinje sa 9 godina u plesnom klubu „Megablast“ (Velika Gorica). Ubrzo upisuje osnovnu, a zatim i srednju plesnu školu Franjo Lučić, Velika Gorica. U plesnoj je školi imala satove baleta, suvremenih plesnih tehnika, ritmike, stepa, folklora, jazza, anatomije, solfeggia, klavira, metodike, vokalne tehnike i scensku praksu koja se na zadnjoj godini zaokružila predstavom „Interval“ (koreografi Maša Kolar i Zoran Marković). Prisustvovala je na raznim natjecanjima i sa plesnim klubom „Megablast“ i sa plesnom školom, na državnoj i svjetskoj razini. Završetkom plesne škole pozvana je u GK „Komedija“. Također, upisuje Ekonomski fakultet u Zagrebu te paralelno uz GK „Komedija“ ostvaruje razne suradnje i projekte. Lucija ostvaruje i razne komercijalne nastupe na televiziji, koncertima, snima spotove i reklame. Uz ples, gaji veliku strast prema pjevanju te je nastupila u Vip clubu pod vodstvom Lele Kaplowitz te na Brass Velikogoričkom jazz Festivalu samostalno i uz bend „Cubismo“. Također, paralelno kontinuirano ulaže u plesno znanje kroz razne seminare i radionice kako u Hrvatskoj tako i inozemstvu. U međuvremenu završava Ekonomski fakultet u Zagrebu te stječe MA, smjer „Menadžment“. 2019. odlazi u Izrael na plesni program pod Kibbutz Contemporary Dance Company, „Dance Journey program“. Na programu, uz repertoar kompanije, pohađa satove baleta, pilates, floor work, gaga movement te satove gostujućih predavača. Prateći njezin napredak i zapažajući njezinu posebnost, umjetnički voditelj Kibbutz Contemporary Dance Company.a Rami Be'er, poziva Luciju da se pridruži glavnoj kompaniji kao pripravnik. 2020. Lucija ponovno odlazi u Izrael, na poziciju pripravnika u KCDC.u. Trenutno • Freelancer moderni/suvremeni plesač • Učitelj Plesa Profesionalno iskustvo • U kazalištu • Suradnja na televiziji • Koncerti i festivali • Reklame i glazbeni spotovi • Modni događaji Istaknute suradnje Zagrebačko kazalište „Komedija“, mjuzikl „Aida“ (redateljica Dora Ruždjak Podolski, koreograf Igor Barberić) i mjuzikl „Cabaret“ (redateljica Dora Ruždjak Podolski, koreograf Petra Hrašćanec), u kojima je sudjelovala u ulozi plesača i pjevača; “Muscat Asian beach games” u Omanu (redatelj Krešimir Dolenčić, koreografi Tamara Curić i Larisa Lipovac); Plesno kazalište “Jollanar” u Siriji; Turneja “I will survive” sa Gloriom Gaynor i Ivom Gamulinom Giannijem (koreograf Ana Vesel Križaj); Ceremonija pristupanja Hrvatske Europskoj uniji (koreograf Petra Hrašćanec); Gradsko kazalište „Gavella“ „Veliko srce malom srcu“ humanitarna predstava u suradnji sa plesnim studijem „Step by Step“; „Black Swan“ CIE MESS (Antwerp, Belgium); „FeMale“ (profesionalni plesni ansambl „Kelkope“); „Satovi plesa za odrasle i napredne“ (koreograf Staša Zurovac); Spektakl „Mirakul“ (redatelj Ivan Ivica Krajač, koreografi Branka Kolar i Lidija Iveković); „The Voice“ (HRT, koreograf Bojan Valentić); „Bingo show“ (RTL, koreograf Tihana Strmečki), „Cro a Porter“ (plesač, model i asistent Viktora Drage) i razni drugi modni događaji: Ljetni plesni show (koreograf Lidija Iveković); Kazalište „Trešnja“ plesni komad „Trčanje“ (koreograf Ana Vesel Križaj). Istaknute suradnje •KCDC (Kibbutz Contemporary Dance Company) Dance Journey program, Izrael (2019.) •Ekonomski fakultet Zagreb – Diplomski studij, MA „Menadžment“ (2019.) •Ekonomski fakultet Zagreb – Preddiplomski studij, BA „Poslovna ekonomija“ (2017.) •Moderni satovi Maše Kolar u Zagrebačkom kazalištu mladih (2010. - 2016.) •Radionice u Hrvatskoj i inozemstvu (2004. – 2020.) (Maša Kolar, Ana Samovojska, Studio za suvremenski ples, Zagrebacki plesni ansambl, Kellkope i Tamara Savičević, Hofesh Shechter Company,Erion Kruja, Brice Mousset, Thierry Smits, Almira Osmanović, Staša Zurovac, Gregor Lustek, Clement Layes, Dinko Bogdanić, Bo Madvig, Elizabeth Waterhouse, Didier Théron, Yaniv Avraham, Alexandr Alexandrov, Oded Graff i Yossi Berg, Eyal Dadon, Ido Batash, Sara Wilhelmsson, Uri Ivgi… •Osnovna i srednja plesna škola Franjo Lučić, Velika Gorica, Hrvatska - diploma „Scenski plesač“ (2002. - 2010.) •Plesni klub „Megablast“ (2000. - 2010.) Nagrade •Regionalno natjecanje studenata glazbe i plesa, u IV kategoriji, 2009. Velika Gorica •Regionalno natjecanje studenata glazbe i plesa, u IV kategoriji, 2008. Varaždin •Regionalno natjecanje studenata glazbe i plesa, u IV kategoriji, 2008. Velika Gorica •Državno natjecanje studenata glazbe i plesa, u IV kategoriji, 2007. Dubrovnik •Regionalno natjecanje studenata glazbe i plesa, u IV kategoriji, 2007. Velika Gorica •Državno natjecanje studenata glazbe i plesa, u u III kategoriji 2004. Varaždin •Hrvatsko natjecanje u suvremenom plesu “Mia Čorak Slavenska” 2012 •Hrvatsko natjecanje u suvremenom plesu “Mia Čorak Slavenska” 2010 •TREPS, GK “Trešnja” – nagrada za najuspješniji nastup u kategoriji “Show dance, Musical and Jazz”, (dodijelio Dinko Bogdanić) 2010. •Stipendija grada Zagreba 2009/2010. •Natjecanja u Show dance.u sa plesnim klubom „Megablast“ pod organizacijom HSDS.a (Hrvatski Show dance savez) i IDO.a (Međunarodna plesna organizacija) od 2002. -2010. (Hrvatska, Srbija, Njemačka, Slovenija)

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Privatni satovi izvrsna su prilika za djecu i odrasle koji žele napredovati uz savjete baletnog učitelja i kroz individualne satove. Okosnica satova individualni je trening koji osigurava potpunu pozornost i povratne informacije učitelja, koji vas vodi kroz svaku fazu napretka i prilagođava satove vašim željama i potrebama. Privatni satovi Privatni satovi izvrsna su prilika za djecu i odrasle koji žele napredovati uz savjete baletnog učitelja i kroz individualne satove. Okosnica satova individualni je trening koji osigurava potpunu pozornost i povratne informacije učitelja, koji vas vodi kroz svaku fazu napretka i prilagođava satove vašim željama i potrebama. Učitelj će vas motivirati, pružati vam podršku i inspirirati vas, vodeći vas kroz izazovne vježbe da biste brže razvili fleksibilnost, snagu i izdržljivost. Privatni satovi izvrstan su dodatak grupnim satovima. Privatni satovi baleta mogu vam pomoći da se pripremite za izvedbu, audiciju, ispit ili da jednostavno radite na svom razvoju. Registriraj se Uvjeti i odredbe • 60 min • Vrijeme privatnih satova može se podijeliti na maksimalno tri polaznika. • Satovi ovise o dostupnosti učitelja i studija. • Sat se može otkazati najmanje 24 sata unaprijed, u suprotnom se naplać uje

Masterclass is one important part from a dancers education because it gives the opportunity to take classes and expand the knowledge by having the opportunity to work with experts in that specific area of dance. Masterclass can be also very motivational for and re energizing for the students and can give the chance to hear something new,new perspective,techniques, styles and methods of work. MASTER BALLET EDUCATION 2ND EDITION 01-09 JULY 2023 1ST EDITION 01-09 JULY 2022 BALDOVIN BALLET COMPETITION 1ST EDITION 01-09 JULY 2023 Anton Bogov • Nacionalni prvak baleta • Umjetnik grada Maribora - Slovenija • Baletni pedagog / Asistent koreografa Iva Vitić Gameiro • Prvakinja baleta Staša Zurovac • Koreograf Guilherme Gameiro Alves • Prvak baleta George Stanciu • Prvak baleta • Koreograf • Skladatelj / Pjevač • Umjetnički asistent udruge Baldovin Ballet Zagreb Takuya Sumitomo • Prvak baleta Miruna Miciu •Prvakinja baleta

Polaznici se ne moraju držati pravila odijevanja, ali studio Baldovin Ballet Zagreb to preporučuje. Važno je da se toga pridržavaju djeca (ali i odrasli) jer se time stvara ugođaj pravog baletnog sata s kojim se polaznici mogu lakše povezati. Baletne papučice (jedina dopuštena obuća) Na prvih nekoliko satova kao početnik možete nositi čarape, ali kako napredujete, čarape se moraju zamijeniti baletnim papučicama. U čarapama se možete poskliznuti i ozlijediti. U baletnim ćete papučicama bolje osjetiti vježbe, a one su također znak poštovanja baletnog sata i učitelja. Polaznici mogu nositi bilo kakvu odjeću u kojoj se mogu slobodno kretati, poput sportske odjeće koja prianja uz tijelo, ali preporučujemo nošenje klasičnog dresa i tajica ili donjeg dijela trenirke i majice. Pravila odijevanja Polaznici se ne moraju držati pravila odijevanja, ali studio Baldovin Ballet Zagreb to preporučuje. Važno je da se toga pridržavaju djeca (ali i odrasli) jer se time stvara ugođaj pravog baletnog sata s kojim se polaznici mogu lakše povezati. Baletne papučice (jedina dopuštena obuća) Na prvih nekoliko satova kao početnik možete nositi čarape, ali kako napredujete, čarape se moraju zamijeniti baletnim papučicama. U čarapama se možete poskliznuti i ozlijediti. U baletnim ćete papučicama bolje osjetiti vježbe, a one su također znak poštovanja baletnog sata i učitelja. Polaznici mogu nositi bilo kakvu odjeću u kojoj se mogu slobodno kretati, poput sportske odjeće koja prianja uz tijelo, ali preporučujemo nošenje klasičnog dresa i tajica ili donjeg dijela trenirke i majice. Balet za djecu Djevojčice • kosa mora biti vezana i, po potrebi, pričvršćena ukosnicama • obvezno nošenje baletnih papučica • preporučeno nošenje dresa i tajica ili donjeg dijela trenirke i majice. Dječaci • obvezno nošenje baletnih papučica • donji dio trenirke u tamnoj boji ili tajice • preporučeno nošenje bijele majice. Balet za odrasle Žene • kosa mora biti vezana i, po potrebi, pričvršćena ukosnicama • obvezno nošenje baletnih papučica • preporučeno nošenje dresa i tajica ili donjeg dijela trenirke i majice • baletne špice nose se samo na satu En Point. Muškarci • obvezno nošenje baletnih papučica • trenirka • majica. Karakterni ples Moderni i suvremeni balet Žene • kosa mora biti vezana i, po potrebi, pričvršćena ukosnicama • preporučeno nošenje dresa i tajica sa suknjom do koljena ili donjeg dijela trenirke i majice. Muškarci • trenirka • majica. Žene i muškarci • baletne papučice ili crne čarape • donji dio trenirke i majica.

Masterclass is one important part from a dancers education because it gives the opportunity to take classes and expand the knowledge by having the opportunity to work with experts in that specific area of dance. Masterclass can be also very motivational for and re energizing for the students and can give the chance to hear something new,new perspective,techniques, styles and methods of work. MASTER BALLET EDUCATION 02 - 10 July 2026 3rd EDITION Supported by Master Ballet Education – 3rd Edition (2026) Elevate Your Artistry on the Global Stage Welcome to the 3rd edition of Master Ballet Education (MBE 3), Zagreb’s premier summer academic ballet intensive, running from July 2nd to July 10th, 2026. Udruga Baldovin Ballet Zagreb, as an official Margot Fonteyn Academy Associate Program since 2022, serves as the exclusive gateway to world-class classical training in Central and Eastern Europe. Under the artistic leadership of George Alexandru Baldovin—Director of the Margot Fonteyn Academy of Ballet Program for Croatia and Eastern Europe—this intensive bridges rigorous studio training with the demanding aesthetic benchmarks of elite international performance. Masterclass & Repertoire Focus This summer, we are proud to offer an unprecedented program focusing on iconic neoclassical and contemporary masterpieces. Dancers will train directly under the guidance of world-renowned choreographers and master teachers: HAMLET (Neoclassical Narrative) – Choreographed by Leo Mujić (staged at HNK Zagreb). Dissect dramatic tension, dynamic weight transfers, and emotional geometry. MODROBRADI / BLUEBEARD (Somatic Secrecy) – Choreographed by Staša Zurovac. Study visceral partnering holds, command, and performance durability. RADIO & JULIET (Contemporary Precision) – Choreographed by Edward Clug, led by first soloist Tijuana Križman Hudernik. Master the hyper-precise, staccato physical language scored to the atmospheric alt-rock of Radiohead. Choose Your Track To cater to different levels of expertise, MBE 3 is split into two distinct, high-intensity paths: Foundational Mechanics & Theatrical Movement Lab (3-Day Track): Engineered for adult beginners, intermediate students, and recreational dancers (ages 15+) focusing on core stabilization, secure alignment, and movement longevity. Advanced Masterclasses & Neoclassical Structural Narrative (5-Day Track): Designed exclusively for advanced students, vocational ballet school pupils, and professional dancers seeking to master complex variations and stage dynamics. REGISTRATIONS ARE NOW OFFICIALLY OPEN! Secure your spot today and join a legacy of classical and contemporary mastery. Register Online: Visit www.baldovinballet.com/register to submit your details. Complete the Process: Consult with G.A. Baldovin via WhatsApp (+385 95 536 5926), download your forms, and complete your membership transaction to finalize your spot. About Us Baldovin Ballet Zagreb was founded in 2020 by Iva Vrgoč and George Alexandru Baldovin. George Alexandru Baldovin is a former ballet dancer with the Croatian National Theatre (HNK Zagreb), SNG Maribor, European Ballet London, Bucharest National Opera, Iași National Opera, and Constanța State Opera.During his distinguished career, George Alexandru Baldovin had the opportunity to work with world-renowned choreographers and masters, including: Vladimir Malakhov, Nacho Duato, Irek Mukhamedov, and Edward Clug Patrice Bart, Youri Vámos, Leo Mujić, and Victor Litvinov Derek Dean, Hans van Manen, Milko Šparemblek, and Lorca Massine Joyce Cuoco, Vladimir Derevianko, Pascal Touzeau, and Paul Boos (The George Balanchine Trust) Currently working as a freelance professional ballet dancer, choreographer, and music composer, his vision is to share his vast knowledge and international experience to promote the art of classical ballet. The mission of the Baldovin Ballet Zagreb association is to encourage, develop, and share the artistry of classical ballet, while raising cultural awareness of the entire dance art form through professional and recreational programs and world-class events. The quality and dedication of Baldovin Ballet Zagreb’s work was officially recognized by the prestigious Margot Fonteyn Academy of Ballet (USA), resulting in Baldovin Ballet Zagreb proudly becoming a Fonteyn Academy Associated Program in 2022. Read more Presentation MBE 3 Documentation MBE 3

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